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By Sarah Menin

This e-book is a leading edge learn analyzing the attitudes to either nature and the outfitted surroundings of the dressmaker, the buyer and the society during which an intervention (be it structure, panorama layout or a bit of artwork) is made. The legacy of the Modernist view of nature and the surroundings can be addressed, and the measure to which such principles proceed to impinge on modern interventions is classed.

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Here Samuel’s essay revisits the theory posited by Kite, of Stokes’s and Appleton’s theories of enclosure and refuge. Through Le Corbusier’s reinterpretation of the legend of Mary Magdalene, and his use of his system of proportion, the Modulor, the architect attempted to create at La Sainte Baume ‘a radiant’ community in harmony both with nature and with the traditions and ‘spirit’ of the place. The essay also offers an example of the non-rationalist character of modernism, akin to that which I explicate in my study of Aalto’s Muuratsalo retreat.

Collie and J. Still, New York: Routledge, 1992, p. 59. H. Appleton, The Experience of Landscape, London: Wiley, 1996. 36 Introduction 40 A. Stokes, ‘Form in art’, in M. Klein, P. E. Money-Kyrle (eds), New Directions in Psycho-analysis. The Significance of Infant Conflict in the Pattern of Adult Behaviour, London: Tavistock Publications, 1955, p. 406. 41 C. 1103, pp. 64–70, p. 66. 42 Casey, The Fate of Place, p. 336. , p. 337. 44 Berleant opens his essay with a quotation from T. Coraghessan Boyle’s short story ‘Greasy Lake’.

Westfall, Architectural Principles in the Age of Historicism, New Haven: Yale, 1991. S. Casey, Getting Back into Place, Bloomington: Indiana University Press, 1993, p. x. See also A. Vidler, The Architectural Uncanny, Cambridge MA: MIT Press, 1994. S. Eliot, ‘Little Gidding’, Four Quartets, London: Faber & Faber, 1986, p. 48. W. Winnicott, ‘Living creatively’, in Home is Where we Start From: Essays by a Psychoanalyst, Harmondsworth: Penguin, 1986, pp. 42–3. 12 Winnicott, ‘Living creatively’, p.

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